



STEPPING UP
PART EIGHT:

Reluctantly, Holli had gone to bed on the second floor in Steve's violet
bedroom. He'd convinced her that if he made it up the long flight of
steps, he'd more than likely be stuck there the next few days. So she'd
settled him on the davenport in the parlor, covered him with a light
afghan, and placed ibuprofen and water within reach. She'd also left
him her cell phone so that he could call upstairs if he needed her.
He did sleep a while, but woke about 4 and lay there looking around
the parlor. Tara had made it a warm and cozy place, furnished perfectly
to complement the Victorian house. He thought a lot about her as he
lay there and found himself sort of missing someone he'd never even met,
never seen until she lay in her coffin. How strange.
But the quiet force of her personality indwelt the room as it did, indeed,
the entire building. He had only just begun to understand who she was,
what she meant to Holli, how much Holli would miss her. That train of
thought led him, inevitably, back to his own older sister, Bethie, and how
her death had changed the pattern of his entire life, of the man he had
become.
Sighing, he rose and hobbled painfully over to Tara's wingback chair,
sliding one of her ubiquitous shawls off its back and wrapping it about
his own shoulders. He sat there in the darkened room, the only light
being from a single streetlamp that shown in through a window. Folding
his hands together, he rested them on his chin, thinking quietly.

Bethie, so full of life, so absolutely...bright. She'd shone into his life until
he was nine, lighting up all his corners that otherwise might have remained
in shadow. Then someone turned off the switch and she was gone. He knew
full well that many of the shadows that had filled so much of his mind and
heart were still there. Holli was beaming her presence into him now, into
every part of him that he opened to her anyway. Monica, well, Monica had
tried in her way, but he'd mostly rolled around in his darkness with her,
bumping into the furniture.
"Tara," he whispered into the dimly-lit room, "I know you know Holli
deserves better than me. I...." He faltered, his head still throbbing. "Oh,
damn!"
Leaning his head back into the small corner made by one of the padded
wings, he closed his eyes, letting his hands drop to his lap.

He must have dozed for a while then awakened again when a breeze set
the wind chimes moving on the porch. Rather than being irritated, he
smiled at their sound, remembering the difference from their dull *thunk*
when in the box. He knew he'd been in a box, mostly of his own making,
for more years than he cared to count. How much time had he wasted?
"I'm tired," he said into the room. "Tired of wasting time."
But what could he do...really? Holli's life was here. It was where she
belonged, where her family, her roots were. Where...this place...was.
What did he have? Some walk-up apartment with a fire escape platform
for a yard? Yeah. Holli, he could say, I think you should leave this
glorious house with its great view of your city and come with me to my
fire escape.

He laughed wryly. Yeah. That made a hell of a lot of sense. What did he
even think he was doing falling in love with someone who had such roots
not in New York? You are a blasted, stupid fool, Steve. That's what you
are. It's not like you could leave New York. So what do you think you're
doing letting this whole thing go this far? Stupid, stupid, stupid!!
"So what else is new?" he said aloud.
He moved his legs and his knee protested vehemently so he rubbed it. Darn
thing really should have some sort of an ace bandage or something, but he
didn't want one of those over his big scrape. Deciding he needed some more
ibuprofen, he practically hopped to the table near the couch and balanced
while he downed three of the pills with a large swig of water. On the way
back to the chair, he noticed an 8 X 10 picture in a ceramic frame with roses
painted round. Picking it up, he settled with a bit of an *oof* into the chair,
peering at the picture as the first light of dawn came through the large window.
It was of Tara with a little girl who had to be Holli. She was about nine he
guessed, and had pale blonde hair that ringed her face in wild curls. "Even
then," he smiled, touching the picture with his forefinger. They were facing
one another, holding both hands, and Holli was leaning back a bit, her chin
up. She looked like she was either laughing or singing. Tara's white hair
was in a big, loose bun high on her head and she had flowers tucked all
around it as though she and Holli had been playing at some game of pretend.
He wished that he had been the one who had taken this picture, had witnessed
the scene with his own eyes. Again his fingers moved lovingly over the glass
covering the photograph. "I love you, Holli," he murmured. "I love everything
you've been, everything you are, everything you will be." He had never, never
ever loved a woman like that. He didn't think he'd ever even wanted to love
a woman like that...before. But now he did. And what was he going to do
about it?
An hour later Holli slipped down the stairs in her bare feet, wanting to check
on Steve. Berating herself for how soundly she'd slept, she tip toed into the
parlor, her breath catching when she saw he wasn't on the couch. Her eyes
flicked quickly across the brightening room. There he was, sound asleep in
Tara's chair, her crocheted shawl loosely about his shoulders as his head
rested against a wing. Coming closer, she saw he had his arms folded around
a picture. She recognized the frame. It was the one her Mom had taken that
day in the back garden when she and Tara had been being fairy princesses.
She crouched, her hand on a chair arm, just watching him sleep. "Oh, Steve,"
she whispered, "do you know, do you have any idea what it means to me, seeing
you here, here in this parlor as though you are a part of it, as though it belongs
to you, you belong to it?"
He had been sleeping so lightly that he heard her words. His eyes opened
slowly, morning light making their green almost transparent. "Do I, Holli?"
he asked. "Do I belong here?"
She slid her hands over his on the back of the picture frame. "I can't tell you
that, Steve. You are the only one who can decide that for yourself. All I can
do is let you see what you mean to me."
"What, Holli, what do I mean to you?"
"First tell me what you see when you look at this photograph."
He lowered it face-up onto his lap, not really needing to look down at it again,
already knowing every part of it. "I see a rose in full blossom enjoying the
beauty and the presence of her bud."

His eyes met hers just as Holli's filled with tears. "Steven Moran," she said,
"you mean not less than everything."
ON TO PART 9
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